Neue Burg section of the Hofburg Palace, Vienna, Austria
Vienna is certainly one of Europe’s grandest cities. Tracing centuries of history along Vienna’s Ringstraße makes one feel awe-inspired and breathless amongst all of the elegant buildings, grand churches, beautiful opera houses and theatres, and never-ending palaces. In fact, it seems as if the city is nothing but palaces! The Hofburg Palace, along with the Belvedere and Schönbrunn makes up the three most famous palaces of Vienna. The Hofburg has housed some of the most powerful people in Europe and it has been in governmental use since 1279. The Palace was the centre of the Habsburg dynasty, (the rulers of the Austro-Hungarian Empire), and from 1438 to 1583 and from 1612 to 1806, it housed the Holy Roman Empire. It continued to be the home of the Emperor of Austria until 1918 and currently serves as the official residence of the Austrian President, Heinz Fischer. Over the years, it has been expanded and re-worked and rebuilt. Bits have been added; other additions have been planned but never came to light. Vienna, lovely and beautiful Vienna, is in so many ways the heart of Europe. It is in almost exactly in the geographical centre of the continent, it has housed many important governments, it has produced, hosted or inspired many of Europe’s important peoples, it is–and has been for some time–one of Europe’s biggest cultural hubs especially when it comes to classical music, and it serves as the gateway between Western and Eastern Europe. With this beautiful, moonlit Hofburg at its governmental centre, Vienna truly holds Europe’s vibrant, beating heart.
You can’t usually see the original Holy Shroud, as the Church only occasionally brings the famous artefact out for public viewing (the last time being in 2010). However, you can visit the museum to learn a lot about it, later viewing a life-size reproduction displayed in a chapel. The Holy Shroud is an ancient relic passed down through generations and closely guarded, as many believe it is the shroud that once wrapped Jesus’ body after death. And if you study the cloth, it’s true that the wounds evident on the shroud do correspond with the wounds dictated in the Bible (blood stains on the man’s feet from a nail hole as well as on the wrists – interestingly not the hands; this has to do with a lack of difference between ‘hand’ and ‘wrist’ in ancient Greek. The man also has a postmortem cut on his side, his back is injured as result of a whipping and multiple puncture wounds appear on the forehead as well as signs of a beating). However, according to carbon dating, the Shroud is at best 1,000 years old – bringing up the question of how accurate carbon dating is (if contaminated by chemicals, linens especially can be affected). Here, lit from below, is a Polish artist’s rendition of the moment that Christ comes back to life, gasping for air after lying dead and buried for days. Whether or not you believe in God, whether or not you think that by staring at the Shroud you are literally staring into the eyes of Jesus, you have to admit that the idea that it could be him is powerful and arresting – and enough to make your spine tingle. “And let there be light,” you whisper as you eventually tear your eyes away from the powerful figure who may or may not be Jesus Christ.