Though designed just before WWII, Bristol’s crescent-shaped City Hall wasn’t built until after the war’s end. Situated in a prominent place in Bristol, the secular City Hall faces the massive and gorgeous Bristol Cathedral, Bristol Central Library and the College Green, the building is a classic example of the Neo-Georgian style except for one glaring oddity: both of the turreted ends to the building are topped with an unusual statue – a unicorn! (Not so very different than the Dragons of London!) If you look carefully, Bristol functions like an “I Spy” book (“I spy 12 unicorns…”) – they are everywhere! On St. John the Baptist Church, the SS Great Britain ship, on the Royal West of England Academy, at the entrance of the Bristol Museum and Art Gallery, on the North Bristol Rugby Club tie and blazer, and until 2004 they were on the logo of the renowned University of Bristol. They are even part of the city’s coat of arms! Why, you may ask? To solve the mystery, we need to delve back in time to 16th century Bristol, when the city’s leaders chose to include two unicorns on the official seal which was then stamped on important city documents scattered across Bristol – therefore imprinting the unicorn forevermore into Bristol history. As for the mystery of the City Hall Unicorns, architect Vincent Harris actually secretly commissioned the two three-foot-high bronze unicorns without informing the council, put them up and hoped for the best! They’re still there, so we can assume that the council accepted their city hall’s impromptu mascot!
A sort of Spanish Versailles, Aranjuez Palace is a massive royal complex roughly an hour from Madrid, though it is lesser-known than its French counterpart. A former royal residence established during the era of Philip II in the early 1500s, the Palace of Aranjuez once functioned as a seasonal residence, inhabited by the royals and their entourage each springtime. Encapsulating the utter extravagance and overabundance of the wealth, power and influence the royal family once held, the palatial space allowed them to host enormously opulent and excessive Great Gatsby style parties. Though today the Spanish royal family is little more than a symbol, it is still a powerful symbol of conservatism, religion, and traditional values, not always keeping up with the modern world. Today however, the Royal Palace of Aranjuez, a UNESCO protected site, is open to the public as a museum, displaying art, furniture, royal artefacts and more, offering a cheeky peak behind the royal curtain of what being part of the Spanish royal family and its court actually meant. To get there, take the local commuter train from Madrid’s central stations to Aranjuez and walk 15 minutes to the palace at the centre of town; last entry is one hour before closing.
City of Arts & Sciences (Ciudad de las Artes y las Ciencias), Valencia, Spain
Some of Europe’s strangest architecture can be found in Spain – from Bilbao’s famous Guggenheim Museum to Gaudi’s everything (Casa Mila, Casa Batllo, Parc Guell and of course Sagrada Familia Cathedral). As one of the 12 Treasures of Spain and Valencia’s most visited site, the bizarre architecture of Valencia’s City of Arts and Sciences deserves to be on the same list. Covering roughly two kilometres of the former riverbed of the River Turia, this bizarre complex is a homage to modern arts and architecture, yes, but also to science, culture and technology. An opera house, a science museum, an IMAX cinema, a vastly diverse park with walking paths along an open-air arts gallery, an aquarium and a concert venue make up this colourfully bizarre futurist complex. Contrasting strangely with Valencia’s old town, both halves of the city are worth the visit!
The Trinity Column in the Hautplatz of Linz, Austria
A city that has been trying to free itself from its Nazi past (it is where Hitler spent his childhood) has elected in the Alt-Right party again in 2017. And yet – it was the first Austrian city to account and make up for its own Nazi past. From renaming streets to erecting monuments to victims and resistance heroes, Linz is still attempting to crawl out from that dismal past. The Trinity Column, a plague column in Linz’s main square, represents thanksgiving for the ending of the violent plagues that swept through Austria. Though Linz has had a turbulent past, the city founded by the Romans in 799 is now a member of the UNESCO Creative Cities Network and was the 2009 European Capital of Culture. Enjoy strolling its charming (and surprisingly colourful) streets, lounging along the Blue Danube (on a sunny day!) and exploring the birthplace of Mozart. Taste one the of city’s famous Linzer tortes or even take the fin de siecle Pöstlingbergbahn, the steepest mountain rail in the world!
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Bathed in soft, chilly rays of sunshine, the ancient cobblestones, facades and walls of ancient Prague add a warm glow of luminescence on a chill winter day. Though the cold can be biting, winter is the perfect season to pay this amazing city a visit. Not only are crowds thinner, but the city is alive with Christmas – from some of the best Christmas markets in Europe to live seasonal concerts to streets dancing with trees, wreaths, lights and more. Roasted chestnuts, hot wine and local sweet rolls are made and sold on every corner. It is impossible to escape the festive attitude – especially when the snow sweeps in, dusting and blanketing every surface with a layer of soft, white snow! Follow this steep, narrow street up the top of Prague where you’ll come face-to-face with a castle of epic proportions, layered with stones and stories, overlooking not just Prague but a good chunk of Czech Republic (or Czechia) as well. Prague is a perfect Christmas destination in the making!
Welcome to the Palais Ideal, or Ideal Place of the Postman Cheval. Built by a wildly-imaginative postman in the early 20th century in Hautrives, France, this structure is an extraordinary example of naïve art architecture, with definite influences of the Art Nouveau movement of fin de siecle Europe. True to it’s name, this supposedly naive art is made by someone, like Postman Cheval, who has no architectural training. In fact, the Postman simply picked up interesting-looking rocks on his 30-some mile daily postal delivery and brought them home. He went back to the same spot the next day, and found another, and another. Remembering a dream he had when built a palace, castle and cave, he started to construct a bizarre palace inspired by myth, history, nature, religion, and the world all around. In his own words, he said to himself: “since Nature is willing to do the sculpture, I will do the masonry and the architecture.” He kept going for the next thirty-three years until he had built his castle or palace or cave (even he himself admitted, “I cannot express it well.”) until he finally had his ideal palace.
In the heart of Slovakia’s capital Bratislava, under the shadow of the imposing white walls of 17th century Bratislava Castle, is the aptly-named Blue Church. Initially painted in light pastels to lighten up the oval-shaped interior, this church dedicated to Elisabeth of Hungary was later repainted in dozens of shades of blue: the walls (both interior and exterior), alter, mosaics, the tower, the roof tiles. All varying degrees of blue, azure, cobalt, sapphire, cerulean, periwinkle, indigo. Built at the start of the 20th century, the evocative church utilises Hungarian Art Nouveau style. Art Nouveau is a short-lived but wildly-popular style that took Europe by storm at the turn of the century, and is characterised by its use of natural shapes and structures, curvy and fluid lines, as well as incorporation of graceful plants and flowers. Though this movement was started in the UK, it was France where it really took off, influencing architectural styles, art, sculpture and design across the main urban areas of Europe. This wildly unique style’s life was cut short by the sharp simplicity of Art Deco and even worse, the drab boxiness of Modernism – but not before the elegance of the Art Nouveau movement had spread its wings throughout Europe. From Riga to France, this Art Nouveau’s fingers left behind some of the strangest and most intriguing architectural wonders in modern Europe.
The tiny French village of Balazuc snuggled deep within the timeless county of Ardèche is a place you go to lose yourself in another era, another way of life. Sun kissed hills are woven with ancient villages, a patchwork of medieval architecture fused seamlessly with the brown earth and golden fields of southern France. Balazuc is one of such places. A veritable labyrinth built of golden stone, the village’s narrow alleys wind up and down, dipping half-underground, through other buildings, around and through the hills in a completely random and at times mysterious manner. Hole-in-the-wall cafes dot the facades, and a hilltop castle and church duo seem to be trying to outdo one another. To access the steep hilltop village, one must first cross a surprisingly high bridge over the Ardèche River – not a bad place for a quick dip! And just a stone’s throw away is the equally-beautiful and heart-throbbingly medieval village of Largentière as well as the ever-impressive Gorges d’Ardeche. Get ready for a coup de foudre – French for love at first sight!
On the shores of Lake Ohrid sits the ancient town of the same name. Historic, storied, beautiful – Ohrid is a place that stirs up emotion from within. It is indeed ancient – churches like the one here may date as far back as the 800s…! Built in the Byzantine style, it was not unusual for such churches to be converted to mosques during the Ottoman rule. Despite the fact that the Ottomans were supposedly open-minded when it came to religion, this apparently did not affect the church-to-mosque conversion. The best way to get a feel for old Ohrid is simply to stroll around this ancient place littered with Byzantine churches, beautiful quirky houses, cobblestone alleys, and an ancient Roman theatre. Find a cafe and relax outside on a terrace. Duck inside an ancient church to admire the ancient motifs painted on the walls and ceilings. Explore the ruins of the old fortress tucked inside the old city. Climb to the top of the hill and find a place to settle down and enjoy the magnificent panoramas of Ohrid town and lake – Ohrid the Beautiful awaits.
As the world evolves, so does our sense of architectural beauty. Being subjective, the cliche rings true: Beauty is in the eye of the beholder. This dictum certainly holds water in the modernist/futurist architecture that peppers cities like Valencia, London, Bilbao, Warsaw, Vienna, Lyon and others. Originally built atop Fourviere Hill, Lyon is an ancient Roman city that slowly expanded eastwards, across the Saone River, then across the Rhone River. Where the two rivers meet – the confluence – there was once unusable swampland. Drained, it first was an industrial hub (it’s across from the former dockyards, now an up-and-coming almost-hipster neighbourhood), and the remains of old warehouses, factories, shipyards, and railways is still seen. Rather than destroy them, the city repurposed them – the old sugar factory is now an art gallery, for example, and the old custom house is now offices and a restaurant. The rest of the ultramodern Confluence neighbourhood has been inspired by and modelled on its former industrial history. Apartment blocks resemble shipping containers, 20th century factories, goods warehouses and more. Even the mall bears resemblance to this architecture. The above building is the Musee des Confluences, a futuristic steel-and-glass throwback (and throw-forward) to the Confluences past and future. Commanding the tip of the rivers’ confluence, the museum houses exhibits on evolution and science. It is this glittering, reflective, glassy structure vaguely resembling a ship and ever-popular with skateboarders that is the first thing visitors arriving from the south will see – so it is only fitting then that it is here the city chose to place their sign bearing Lyon’s catch-phrase: ONLYLYON. As a former resident of this city, I quite agree.
Moscow is filled with wonders: golden domes, brick-red towers, huge parks, Stalinistic skyscrapers, broad avenues, elegant theatres, brightly-coloured Orthodox churches. It is a city of considerable fortune (reflected in its extremely high rent prices) that draws people in from all walks of life, either to live there or simply visit this place. Perhaps this vast array of cultures accounts for the vast array of noteworthy architecture. One such example is the so-called House of Friendship, as known as the Arseny Morozov House, located on the far side of the Kremlin. Built at the turn of the century, this fin de siecle folly (fake castle) was modelled after the exotic and eclectic Monserrate Palace in Sintra, Portugal. The design of the House of Friendship includes twisted columns, encrusted shells, and lace-like stonework. Built for party-loving Arseny Morozov, it later became the Proletcult Theatre in the 1920s. This was the branch of Soviet theatre branch tasked with ideology and propaganda, evoking industrial, factory, farming, and other such motifs without much regard towards plot. Sadly, the only way to visit the luxurious and bizarre interior is to attend a concert or lecture held at the house. Instead, gouge yourself on the eclectic exterior while roaming the streets of Moscow in search of the city’s most extraordinary architectural designs – of which it has no shortage!
This structure needs no introduction. Perhaps the most famous landmark in the world, did you know that in the beginning of its existence, the Eiffel Tower was nearly unanimously hated by artists and citizens alike? French writer Guy de Maupassant disliked it so much that he’s said to have routinely dined in the tower’s restaurant as it was the one place in Paris where the tower was not visible. Indeed. The Eiffel Tower was built over a two-year period to welcome people to 1889’s World’s Fair, the 100-year anniversary of the storming of the Bastille (fairgrounds included a reconstruction of the Bastille!). At the time, the World’s Fair was a big deal, and much like today’s Olympics, huge constructions were built to impress Fair visitors; each year’s host trying to out-do the previous host (the now-nonexistent London Crystal Palace was another famed World Fair creation as was Seattle’s Space Needle). The Eiffel Tower was France’s response. Originally meant to be demolished at the end of the Fair, it quickly became not only the symbol of the 1889 World Fair, but also the symbol of Paris, the most visited (paid) monument worldwide, and for 41 years, the world’s tallest building. Designed by Gustav Eiffel (the man who designed the interior support system of New York’s Statue of Liberty), the Eiffel Tower is still a unique, iconic and wildly-beloved monument of France and the City of Lights. France is a country resistant to fast change, but if they eventually came to love the Eiffel Tower as a symbol of fin de siècle France, hopefully the Louvre Pyramids, Centre Pompidou, and other modernist or postmodernist designs will eventually be welcomed as symbols of a modern Paris. (Or not?)
Cobblestones underfoot reverberate with the echoes of footsteps, the clink of silverware at a local cafe and the laughter of children playing in the narrow alleyways. The perfectly preserved medieval streets and facades of ancient Tallinn directly contrast with the advanced techosphere hidden just beneath the surface of the city nicknamed the ‘Silicon Valley of Europe.’ It has one of the highest ratio of start-ups per population throughout Europe – Skype being the most famous of them all. The capital of Estonia has slowly become recognised as one of the main IT centre of Europe – Tallinn currently provides NATO’s cybersecurity (home to the NATO Cyber Defence Centre of Excellence), it is set to house the headquarters of the European Union’s IT agency, and has been ranked as the most competitive financial hub of Northern Europe. Quite the achievement for this beautifully small and oft forgotten capital tucked into a remote corner of Europe! Tallinn is perhaps the perfect blend of old and new: the medieval streets and architecture of Tallinn, including the Viru Gates in the photo, have merited the city a spot on UNESCO‘s list – and yet, it also catches the eye of many the enterprising digital start-up. The Viru Gate, a barbican within the ancient city walls, was part of Tallinn’s medieval defensive walls that still encircle much of the city. Though partially destroyed to accommodate horse-drawn carriages and trams, the Viru Gate still dispenses Tallinn’s unique flavour in the brisk Baltic air.
The Tower of London as seen across the Thames River, England
The infamous Tower of London. It has a reputation for horror – death – torture. While not 100% wrong, this was the view propagated in the 16th century (did you know that only seven people were executed at the Tower of London up until the 20th century?) In fact, most executions instead took place on Tower Hill, and even then, just 112 people were executed over 400 years, a number far lower than we’d expect considering the harsh laws during the time. The dark threat of being ‘sent to the tower’ doesn’t come from Medieval times at all, but rather the 16th/17th centuries where darkness had to be hidden under the surface of polite society – so the Tower became a popular place to send unwanted royals or nobles. At one time a royal residence, a palace, a prison, a menagerie, a royal mint, a treasury and a fortified vault for the Crown Jewels, today’s Tower of London is one of London‘s top tourism destinations, and the most visited castle (not including palaces, which are quite different) in Europe – nearly 3 million visitors cross its threshold every year. The Tower’s oldest section, the White Tower, dates back 1078; other expansions date largely to the early Middle Ages, including exertions by Richard the Lionheart, Henry III, and Edward I. All of this combined makes the Tower of London one of the UK‘s most impressive cultural heritage sites, and for this, it has been recognised by UNESCO. Due to the vast amount of visitors, it is hard to properly visit the Tower of London – best advice is to avoid school holidays and visit in the low season (late September just after school starts but before holidays begin or in the dark days of winter in January or February). Though it can never entirely escape its dark past, it may not be as dark as you thought.
Interior Statues of the Staatsoper (Vienna State Opera), Austria
Pure decadence, exorbitant elegance, genteel allure, stunning beauty. Welcome to the Staatsoper, Vienna’s State Opera House. The first of the extravagant buildings on Vienna‘s most famed street, the Ringstrasse (now a designated UNESCO site), the Staatsoper was opened to the genteel Austrian public in 1869. Built in the Neo-Renaissance style, the building was surprisingly unpopular with said genteel Viennese. (It somehow was not considered grand enough. You have to wonder about that genteel 19th century high society…). Then on the fateful night of March 12th, 1945, inferno rained down upon Vienna’s opera house, dropped by US bombers. Fire poured from the sky, bombs exploded in the streets, and flames ate their way through the Ringstrasse. Though the angry flames could not get into the walled-off foyer and fresco-filled stairways, the auditorium and 150,000 costumes for 120+ operas went up in smoke. When WWII was finally over, it was debated: shall we rebuild the originally unpopular building as per original design, or do we redesign it to modern tastes? Thank goodness the former option was chosen, and the Wiener Staatsoper was rebuilt in all its former glory (and happily, it is now beloved by Viennese and foreigners alike). Today, you can’t visit musical Vienna, home (at one point or another) to such musicians as Haydn, Mozart, Beethoven, Schubert, Strauss, Chopin and Mahler, without visiting the opera. Loiter inside the foyer for a bit and if you have time, buy yourself a ticket to the opera or ballet. If you’re a budget traveller, queue in the ‘standing’ line in the afternoon to buy a €3 or €4 ‘standing’ ticket (arrive 3hrs prior to the show’s start; once you’ve got your ticket, tie a scarf to mark your spot and head out for a bite to eat). Be sure to dedicate plenty of time to explore the palatial building – frescos, statues, paintings, vast staircases and awe-inspiring architecture await!
Brandenburg Gate (or Brandenburg Tor) in Berlin, Germany
Berlin is a place with a challenging history. Located in Germany‘s eastern side, the city of Berlin was part of the state of East Germany for decades before the Berlin Wall fell. Berlin itself was a divided city: half in the East and half in the West. Families divided right down the middle. Lives, jobs, families, loyalties – it didn’t matter. East stayed in the East, and the West in the West. (In the end of course, it was better luck to be living in West Berlin.) But that all changed November 9th, 1989 (still scarily recent…) – the day the Berlin Wall fell. Citizens on both sides reportedly climbed atop the Wall in celebration. The Brandenburg Tor is possibly the most iconic monument in Berlin. Built in the 18th century by Prussian King Frederick William II, the Neoclassical style, topped with bronze statue of noble horses, was chosen for this ‘victory’ gate. The Brandenburg Tor stands on Pariser Platz – the same place as the old city gate that once marked the entrance to Brandenburg an der Havel town, ancient capital of the pre-Germany state of Brandenburg. Used by the Prussians, the Nazis and the East Germans as a symbol of the city’s power, the Brandenburg Gate was partially destroyed in WWII. On August 13th, 1961, the structure became part of the Berlin Wall, and its original use as a gate was re-instated (one of eight points for crossing the Wall). Nearly impossible to traverse by East Germans, the gate remained a symbol of power – but in a negative sense, sparking protests, demonstrations and eventually celebrations the day the wall fell. Today, it reminds Berliners and visitors alike of the power of standing together.
The 12th century Chateau des Adhémar remains one of the last true examples of Romanesque architecture, a style defined by rounded arches, thick walls, squat towers and sturdy pillars. This study, box-like castle was built atop a sunburnt hill which overlooks the orange-tiled, sunny town of Montélimar (located in the Drôme department in the south of France). Appropriated by the papacy in the 14th century until 1447 when it re-entered the Kingdom of France, the castle has been used as papal residence, an armament for several conflicts and wars, a citadel, a prison, a country residence, and now a contemporary art museum. In fact, Chateau des Adhémar was largely saved in the last few centuries as it was put to use as a prison. The famed loggia, or loge, with the striped design and rounded windows attached to the main keep was added during the Renaissance to ‘beautify’ what was considered a ‘plain’ Romanesque design. The beautiful Renaissance loggia was also built to add light to formerly gloomy rooms as well as show off the expansive countryside on Chateau des Adhémar’s toes. Located in the inner courtyard is the ancient 11th century St Pierre Chapel. Once a part of the wide-reaching monastic network centred at the Monastery of Ile Barbe in Lyon, the simple Romanesque chapel was later incorporated into the castle complex by the powerful Adhémar family. Today, the castle is a fine example of Romanesque and Renaissance architecture, as well as the modern art movement. It offers splendid aerial views of Montélimar and is a perfect stop on a road trip heading from Lyon to Nimes, Avignon, Montpellier or any other destinations in Southern France!
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The exotic-sounding words Zubri Zuri simply means ‘white bridge’ in Basque, the local language of Bilbao and the surrounding Pais Vasco(Basque Country). Euskara, or Basque in English, is a fascinating language that, interestingly enough, has no ties to any other Indo-European languages! Bilbao and Basque Country are truly unique. Connecting the more modern side of Bilbao with the more historic side since 1997, the bizarre modern design of Zubri Zuri sports a curved walkway, overhanging arch, translucent glass bricks, and zigzaging ramps. Built as a pedestrian route to allow tourists to reach the even more bizarre Guggenheim Museum of Bilbao, Zubri Zuri Bridge has become a tourist attraction in its own right. Though a convenient way to get to the Guggenheim Museum and certainly worth the experience of crossing this unusual bridge, at some point be sure to walk along the River Nervion opposite of the Guggenheim for phenomenal views of the iconic museum’s strange futurist architecture! One of the things that Bilbao does best is the melding of old and new – Bilbao’s extensive Old Town’s meandering streets, beautiful churches, quiet alleys and quirky shops contrast well to the shining skyscrapers, quirky futuristic architecture and intriguing street art of the West Bilbao. Wander from Bilbao from west to east as you slowly go back in time in this strange but enticing Spanish city (is it really Spanish? Some would disagree…but that’s a discussion for another day) in northern Spain.
Sur le Pont d’Avignon, France (On the Avignon Bridge, France)
Another day, another bridge. In contrast to the super-sleek, ultra-design Zubri Zuri Bridge in Bilbao, the Pont d’Avignon is one of the world’s most famous traditional, historic bridges – not unlike Prague’s Charles Bridge. The Pont d’Avignon is famous largely because of the classic French nursery song about it (Sur le Pont d’Avignon/On y danse, On y danse/Sur le Pont d’Avignon/On y danse tous en rond) – even though the song is wrong. It’s unlikely people ever danced ‘sur’ (on) the bridge; lacking for space, it’s far more likely that they danced underneath…Today the bridge only crosses half the Rhone River, the rest having been washed away (learn more about the Pont d’Avignon’s history here). Rising majestically behind the broken bridge is the Palais des Papes – the Papel Palace – which was the seat of 6 ‘rebel’ popes in the 14th century. During the Avignon Papacy, in 1305 the Palais became the papal residence when French Pope Clement V elected to move the papal centre of authority to Avignon in an effort to avoid facing the chaos in Rome (in all fairness, I’d be inclined to think the same thing…the Eternal City is eternally chaotic). Though succeeding in centralising power and church regulations, the Avignon Papacy also succeeded in consuming most the papacy’s purse by constructing this overwhelmingly extravagant Palais des Papes. Today, this magnificent UNESCO World Heritage Site is one of the largest and most important constructions in the Gothic style in Europe – with its massive halls, extensive dining rooms, glamorous bedrooms and beautiful chapels, it’s easy to why. You can buy a combined ticket in order to visit both sites. For a nice aerial view, climb up the hill Rocher des Domes afterwards.
Find More Amazing European Gothic Architecture Here
Ivan the Great Bell Tower in the Kremlin, Moscow, Russia
The Kremlin: probably one of the most infamous places across the Globe, it seems that few people choose to venture inside this massive and widely important complex. In essence, the Moscow Kremlin is a fortified complex snuggled between Red Square and St Basil’s Cathedral, and encompasses five palaces, four cathedrals, and the Kremlin Wall interspersed with the famed red towers of the Kremlin. It is the Russian version of the White House, serving as personal residence of Russia’s president (today meaning the controversial Vladimir Putin). In the past, versions of the site have served as the seat of the Grand Dukes of Russia, the famous Russian Tsars, Catherine the Great and her extravagant Neoclassical palace and Soviet rulers. The above building is the Ivan the Great Bell Tower, which contains 22 bells and is now the tallest Kremlin structure. It is not the first bell tower to appear here; indeed, Moscow’s first bell tower was erected here in 1329, called St Ivan of the Ladder Under the Bell. One of Russia’s Grand Dukes, Ivan Kalita, built this massive whitewashed brick version in 1508 – the name is supposedly a nod towards the original tower, but one can imagine that Grand Duke Ivan wasn’t too opposed to name his construction the ‘Ivan the Great Bell Tower’ either! To visit this tower and the rest of the ever-impressive and awe-inspiring complex, one must buy tickets at the entrance, taking care stay with the carefully-allotted paths and buildings unless you’d like to see what the inside of a Russian prison looks like! Visit the exterior of the complex by exploring Red Square and alternatively, take a boat tour of the Moskva River at sunset to see Moscow in a new light!