In the centre of the wildly beautiful city of Krakow is the eclectic structure known as Wawel Castle. Commissioned by King Casimir III in the 13th century, Wawel Castle is a strange mix of nearly all the popular architectural styles of the 13th – 18th centuries – including medieval, gothic, Renaissance (particularly Italian), Baroque, Romanesque and more (neo-classical seems the only important style of the time missing from the list). The Wawel we see today is much altered from the original structure – parts were destroyed by fire, leading to other parts added on or rebuilt entirely. When it was occupied by the Prussian Army, it was changed to meet new needs and new standards – Wawel’s was modernised and its interior re-styled. Defensive structures were changed, and some buildings were removed. Long the residence of Polish kings during Poland‘s Golden Years and beyond, Wawel overlooks one of Poland’s most spectacular cities. In fact, Krakow is one of the few urban centres not razed during the devastating WWII (due to Hitler using it as a base camp). Today, as one of the largest castles in Poland, Wawel Castle is a member of UNESCO world heritage sites (alongside Krakow’s historic downtown). Inside, find museums and exhibition on art, architecture, history, ceramics, weaponry, gold, and even articles from the Orient. To visit is also the cathedral, the ‘lost’ basements where the foundations show what once was there, and cave leading to the banks of the river nicknamed “the Dragon’s Den,” home to the legendary Dragon of Wawel lived.
Pro tip: Wawel can be quite busy – try to visit in the off-peak season (or at least earlier in the day) if you can. Admission costs vary, see more here. Free admission is on Mondays from 9:30am – 1pm in April – October, and Sundays 10am – 4pm in November – March. Don’t miss the nearby fire-breathing dragon, a monument to the Wawel Dragon legend (it breathes fire in 5 minute intervals and can be activated by SMS).
Though the most famous gargoyles are on Notre Dame de Paris (thanks, Victor Hugo and Disney), one finds gargoyles on most French cathedrals, and Dijon’sNotre Dame Church is no different. This unusual, square-faced cathedral, commenced in 1230, is a medieval masterpiece. In fact, it contains no less than 51 gargoyles (nearly all mere decorations). Though Notre Dame de Dijon dates back to the Middle Ages, the gargoyles were only carved in the 1880s (around Hugo’s time…). The original facade had many such gargoyles of monsters and men, but local legend states they were all (but one) removed by the friends of a usurer (money lender), who was killed by a falling stone gargoyle on his wedding day. Gargoyles have long held both the fascination and horror of their audiences. While the original purpose was simply to drain water away from a wall, they quickly evolved into displaying grotesque and fantastical designs. The term itself comes from an French word “gargouille,” meaning “throat” (think “gullet”). The idea of the gargoyle is said to have came from an ancient French legend from Rouen, in which St Romanus conquered a terrible winged dragon called La Gargouille who was both long-necked and fire-breathing. Upon slaying it, the city burned La Gargouille’s body but its fireproof head and neck would not burn, so they mounted it on the church walls to ward off the evil spirits (though you’d think that’d ward off good spirits too!). Thus, the idea and name were adapted for fanciful drains sprouting from France’s soaring cathedrals, and Dijon’s gargoyles don’t disappoint: all 51 are fascinatingly fantastic, bizarre, eye-catching and grotesque.
Pro tip: The church also contains a small statue of an owl, now the symbol of the city, and said to have magical powers. Find it on the left side of the cathedral and touch it with your left hand to make a wish come true! Also, follow the owl symbols on the ground to discover Dijon’s historical heritage sites.
How would you like to have a pair of dragons guarding the limits of your town? Well, that’s exactly what’s going on in the City of London (the very central part of the capital). London decided to mark the boundary of the City of London with several 6-7 foot tall dragon statues. Originally modeled on dragons perched atop the London Coal Exchange, this mighty beast is one of the two original statues from the Coal Exchange, relocated to Victoria Embankment in the mid 20th century. Dragons, like lions, have a long history of guarding things (places, families, riches, businesses, etc) from would-be invaders. As mystical beings (not to mention big and scary), dragons have the added bonus of absolute mysteriousness, to be designed according to the vision of the creator in whatever likeness suits him best. Covered in scales, of enormous stature, and able to walk, fly, and breathe fire, it’s not hard to imagine why someone would chose this beast as their guardian and alley. Whether real or not, keep your eyes open and you might see more dragons around you than you ever realised or suspected!