True to its name, Sham Castle is indeed a fake. It is what the English call a “folly” (yes, they have an official term for “fake castle” in Europe!). Follies are fake castles built relatively recently – usually 18th-19th century – to resemble a medieval castle. Folly castles were built simply because a rich gentleman and lady decided that they wanted an exciting, over-sized lawn ornament. In this case, the castle was designed and built by architect Richard James for an important local gentleman called Ralph Allen, overlooking the beautiful town of Bath. With a style clearly supposed to evoke reminisces of King Arthur‘s day, the castle was only built in 1762! In fact, Sham Castle is just a facade. No doors, no windows, no roof, no walls other than the front one. The reason why Allen dispensed large amounts of cash for a false structure that is nothing more than a facade and hidden away in the forest up a steep hill? To improve the view and “prospect” of his posh townhouse in central Bath. Of course. He wasn’t even the only one. Follies such as Broadway Tower, Fronthill Abbey, Hagley Hill, Castle Hill in Filleigh, Gwrych Castle, and many others exist all over the UK and to a lesser extent, all over Europe. It seems that 18th and 19th Europeans were just as obsessed with castles then as we are today; the difference being that then, instead of voyaging to the real ones, they merely hired someone to build a fake one in their own backyards!
Pro tip: You can run or hike up through the woods to Sham Castle on the Bath Skyline Walk (more info here) – do the whole looped walk (6 miles) or just an out and back up to the castle. Once at the castle, you’ll get some amazing views over bath! Back in Bath, there are many options for refreshments – there are a number of great pubs and cafes. Be sure to taste a pasty while here!
Lough Key is the centrepiece of Lough Key Forest Park, located at the heart of rural Co Roscommon, part of a region known as Ireland’s Hidden Heartlands. Woven and crossed with trails, Lough Key Forest Park is the perfect way to visit Ireland’s countryside if you don’t have the time or ability to undertake a wilderness hike, or if you’re looking for family-friendly hiking paths. In the centre of Lough Key – named for an ancient druid called Cé in Irish folklore (folklore attributes the lake as his grave site) – there is a tiny island roughly half an acre. In the centre of Castle Island is… you guessed it, a castle. What we see today is McDermott’s Castle, which is a folly (or ‘fake’ castle) built as a gothic castle in the early 1800s to improve the view, but there’s been one castle or another on Castle Island since the the 12th century. The castle of the island has since been struck by lightning, attacked by fire ships, sieged by raft-mounted catapults, cursed by the Hag of Lough Key and burnt during WWII.
Pro tip: Lough Key is located 2h from Dublin on the Sligo road. Though you can’t really visit the castle (it was sold recently via auction!), there are exquisite grounds for a hike or picnic, as well as the famed puzzle rooms (a bit like an escape room) and a cafe. Keep in mind the car park isn’t free.
Moscow is filled with wonders: golden domes, brick-red towers, huge parks, Stalinistic skyscrapers, broad avenues, elegant theatres, brightly-coloured Orthodox churches. It is a city of considerable fortune (reflected in its extremely high rent prices) that draws people in from all walks of life, either to live there or simply visit this place. Perhaps this vast array of cultures accounts for the vast array of noteworthy architecture. One such example is the so-called House of Friendship, as known as the Arseny Morozov House, located on the far side of the Kremlin. Built at the turn of the century, this fin de siecle folly (fake castle) was modelled after the exotic and eclectic Monserrate Palace in Sintra, Portugal. The design of the House of Friendship includes twisted columns, encrusted shells, and lace-like stonework. Built for party-loving Arseny Morozov, it later became the Proletcult Theatre in the 1920s. This was the branch of Soviet theatre branch tasked with ideology and propaganda, evoking industrial, factory, farming, and other such motifs without much regard towards plot. Sadly, the only way to visit the luxurious and bizarre interior is to attend a concert or lecture held at the house. Instead, gouge yourself on the eclectic exterior while roaming the streets of Moscow in search of the city’s most extraordinary architectural designs – of which it has no shortage!
There are some places you keep going back to, if only in your mind’s eye, and Kreuzenstein Castle is one of them for me. If you have ever read a fairy tale or a fantasy novel, or if you’ve ever seen a fantastical film, then you know – there’s something magical about turrets and towers and crinolines, something supernatural, something that makes one think about fairies and elves and dwarves and impossible beasts, something that effects you so deeply that you can’t shake it. This castle – it seems as if it popped up from the pages of a fairy tale or a Games of Thrones-esque novel. Being there, or even just imagining being there by gazing at the photo carries one to another time, another world, another dimension. Not far from Vienna, Kreuzenstein Castle may be a hodgepodge of several European castles, manors and religious buildings (composed somewhat randomly to re-build a ruin quickly), but the very essence of it feels so real. Even years later, I cannot shake the spell cast on me by this place – the same spell that seems to exude from Tallinn, Estonia, from the Gauja Valley in Latvia, from Andalucia in Spain, from St. Petersburg, Russia, Largentiere or Auvergne in France or Slea Head in Ireland, as well as a few other select spots. Needless to say, I don’t think that Kreuzenstein is finished with me yet…
Turning a corner and spotting a pair of turrets, even in a small village, is a pretty normal thing in Europe. There was a moment in history where everyone in Europe with a lofty bank account wanted a castle (during the 18-19th century), and there just weren’t enough to go around. So, they started building – and they got creative. Sometimes these ‘new’ castles were habitable, like this one here in Albigny. Sometimes, they were ‘follies’ (more common in England), where people constructed facades of (usually ruined) castles on their property for aesthetic purposes, like Sham Castle near Bath, UK. Their constructors always pretended they were old and ruined but in fact they were carefully constructed to look that way. Or sometimes they renovated their old mansions to look medieval or Gothic, adding turrets, gargoyles, crinolines, moats, towers, or other objects of the same effect (like the gargoyles at the House of Chimeras in Kiev). Sometimes they modelled their new castles on other famous castles, like Vajahunyad Castle‘s Transylvanian inspiration. Other times, in order to maintain some ‘authenticity,’ they bought up bits of old castles and put them together in a Frankenstein-type creation, like at Kreuzenstein Castle. In any case, with all these creations, it begs the question…what is a ‘real’ castle? Is there such a thing? Or are they all ‘real’ castles…?
Owning a ruin in the 19th century was a big thing. If you didn’t manage to own your own ruin, well, that’s no problem because you could always build one! History and authenticity was obviously not nearly as important then as it is today. What mattered more was its aesthetic value. More than that, the 19th century saw owning a ruin (real or not) aligned with owning a piece of history, being in control of the past. So if you couldn’t afford to build your own ruin, but still wanted to jump on the ruin-owning, history-controlling bandwagon, you could turn an existing building into a ruin. We saw it with Sham Castle in Bath (a folly; 100% modern), again with the Gravensteen in Ghent (modified ruin), then later with Kreuzenstein Castle in Austria (a new castle was constructed from old bits of other castles). There are countless other examples (one more: Hungary’s Vajahunyad Castle, based on older ruin). Now, we see it again here, with Chateau Montmelas. Montmelas began its life as “chateau fort”; that is, a fortified manor house, in the 13-14th centuries. Then, some 500+ years later, crumbling and forlorn, the previous residence of Louis XV’s mistress, it was restored in the Neo-Gothic style. Turrets, crinolines, a keep, courtyards–all very medieval. And in fact, it still retains many qualities and original stonework from the Middle Ages, despite the modifications! Not only that, but it’s appearance is breathtaking. And its current purpose? A winery in the Beaujolais, as one can tell from the surrounding vineyards. While privately-owned, the castle can be visited at certain times of the year. I guess owning a ruin in the modern day–a real ruin, mind you–is still a pretty big thing!
The Fisherman’s Bastion, or Halászbástya, is a terrace overlooking the Danube in Budapest. Built in neo-Gothic and neo-Romanesque style at the turn of the century, to me, it resembles a giant sandcastle. For those not afraid of heights, a climb to the top offers a panoramic view of Budapest, including the House of Parliament, Margaret Island, Gellert Hill, and the Chain Bridge. Its name comes from the fisherman’s guild that was in charge of defending this section of the city walls in the Middle Ages and includes a statue of the infamous Stephen I. Beware though, during tourist season, they will try to make you pay. To get the view for free, slip up through the café in the far left-hand quarter!
Pro tip: Do you like cake? Of course – who doesn’t!? Visit the Ruazwurm Confectionery just around the corner for delicious treats!
Welcome to the beautiful, rustic ruins of Cardiff Castle (or in Welsh Gaelic, Caerdydd Castell). This 11th Norman century fortification most likely commissioned by William the Conqueror, the castle was built on top of a 3rd century Roman fort, as the site provides a good vantage point to defend the city. Composed of a central Norman keep and squat lookout tower, circled by a thick defensive wall and a deep moat, perched on an artificial hilltop and topped with crinolines, the castle is the picture of fortified defence. It was repeatedly involved in conflicts between the Normans and the Welsh before finally becoming little more than a decoration after a rich Marquess built a Victorian mansion and demolished all other medieval buildings minus the Norman keep, thinking that it looked Romantic. In fact, during the Victorian era, owning a castle or ruin – a real one or an artificial ruin (called a folly) – was all the rage among the wealthy landowners at the time. Those who didn’t have a ruin on their property often either bought one, or constructed one (learn more about follies such as Sham Castle, Kreuzenstein Castle or the Chateau de Montmelas, or even the more modern Albigny-sur-Soane). Still, it makes a pretty awesome ruin! One of the most significant sites in Cardiff, be sure there to get there early (or visit off season!) to get the site to yourself.