Gargoyles of the Notre Dame Cathedral, Paris, France
After the April 14th 2019 fire, it’s not even certain if these iconic gargoyles still even adorn the amazing Notre Dame Cathedral. Even if they do, it won’t be possible to visit them until the cathedral is rebuilt… which will take years, possibly as long as two decades despite the overwhelming donations pledged (if only these sort of donations were pledged for all important monuments damaged and destroyed! Like the ancient temples of Iraq and Syria destroyed thanks to ISIS…). Notre Dame Cathedral is a special place, and the devastating fire is one of Europe’s terrible tragedies of recent times (though luckily avoiding loss of life). Built in the Middle Ages in the 12th and 13th centuries, Notre Dame is a stone building topped with a wooden roof made of strong oak from the 1200s (much of which was burned to ciders on April 14/15th). It is in this cathedral where Victor Hugo’s le bossu (or the hunchback) lived out his life in the famous book, and up until the fire, it was Paris‘s most visited monument (12-14 million each year!). Notre Dame is a symbol of Paris and France, but also one of architectural beauty, history and cultural heritage. Following the fire, this beautiful building is also a symbol of hope and resilience sitting in the centre of one of the world’s most beautiful cities. Let’s hope they rebuild it quickly, keeping in the same style as its original architects designed it… (no Pompidous, please!)
Pro tip: You can’t visit Notre Dame following the fire, but there are many other beautiful medieval structures in Paris well worth your visit, and many other great cathedrals in throughout France. Looking for gargoyles? Try Dijon Cathedral. Medieval grandeur? Lyon’s St Jean Cathedral. Simple elegance? Blois’s Church of Saint-Nicolas in the Loire Valley.
Though the most famous gargoyles are on Notre Dame de Paris (thanks, Victor Hugo and Disney), one finds gargoyles on most French cathedrals, and Dijon’sNotre Dame Church is no different. This unusual, square-faced cathedral, commenced in 1230, is a medieval masterpiece. In fact, it contains no less than 51 gargoyles (nearly all mere decorations). Though Notre Dame de Dijon dates back to the Middle Ages, the gargoyles were only carved in the 1880s (around Hugo’s time…). The original facade had many such gargoyles of monsters and men, but local legend states they were all (but one) removed by the friends of a usurer (money lender), who was killed by a falling stone gargoyle on his wedding day. Gargoyles have long held both the fascination and horror of their audiences. While the original purpose was simply to drain water away from a wall, they quickly evolved into displaying grotesque and fantastical designs. The term itself comes from an French word “gargouille,” meaning “throat” (think “gullet”). The idea of the gargoyle is said to have came from an ancient French legend from Rouen, in which St Romanus conquered a terrible winged dragon called La Gargouille who was both long-necked and fire-breathing. Upon slaying it, the city burned La Gargouille’s body but its fireproof head and neck would not burn, so they mounted it on the church walls to ward off the evil spirits (though you’d think that’d ward off good spirits too!). Thus, the idea and name were adapted for fanciful drains sprouting from France’s soaring cathedrals, and Dijon’s gargoyles don’t disappoint: all 51 are fascinatingly fantastic, bizarre, eye-catching and grotesque.
Pro tip: The church also contains a small statue of an owl, now the symbol of the city, and said to have magical powers. Find it on the left side of the cathedral and touch it with your left hand to make a wish come true! Also, follow the owl symbols on the ground to discover Dijon’s historical heritage sites.
Imagine walking through a city such as Kiev. It is months before war is thought of, and there is an element of peace still wafting through the air. Despite this–despite its magnificent cathedrals and fine buildings on its main street, there is still an air of desperation, a slight tugging at one’s side. Square, concrete buildings remind one of the war, which like many other cities in Eastern Europe–destroyed large chunks of the city and had to be rebuilt quickly and cheaply. Imagine grey skies overhead, as you hurry through the rain. Imagine you turn a corner and stumble upon the President of Ukraine’s office. Imagine turning around just as the rain relents–and coming face to face with this. This dramatic house, which for the past ten years has been used for diplomatic ceremonies, looks as if it popped up from a (rather dark) storybook. It is the House with Chimaeras. The name does not relate to the mythical animal, but rather the architectural style in which a building is adorned with animal sculptures. Look closely–and you will see nothing but animals! Whales, frogs, elephants, rhinos, deer, eagles, fish, serpents–you name it, it’s probably there. Italian architect Emilio Sala redesigned the house after original architect Vladislav Gorodetsky, who was an avid hunter, was forced to sell it. I suppose this is one way to pay homage to one’s hobbies–albeit an excessive one! Despite–or perhaps a result of–its prestigious address, important guests and strange decor, the house remains one of the strangest, creepiest, most bizarre yet most important buildings in all of Kiev and beyond.