Chateau de Chambord, France as Seen From Across the Moat
As the most expansive and over-the-top chateau in the Loire Valley and among the most excessive of Europe, Chateau de Chambord is certainly the crowning jewel of the already castle-laden Loire Valley. Known for its rich (and royal or at least very noble) castles, the Loire Valley is full of lavish summer residences – the Chateau de Chambord is no exception. Built in 1547 in the extravagant French Renaissance style (a style which was, by definition, extremely extravagant), it was constructed for King Francis I of France as a hunting lodge, it was though never finished. Among the many distinguished guests who stayed there, the most important was Leonardo da Vinci, and it is to him that we attribute (though without proof) the chateau’s unique and fascinating double-helix staircase – i.e. two intertwined, parallel staircases that twist upwards around each other but never touch. 16th-century chateaux are in many ways faux chateaux. Architects used basic designs of castles – like moats, towers, turrets, crinolines, keeps, drawbridges, etc. – but they were never meant to be defensive, and indeed weaponry and war in this era had changed so dramatically that castles were of less use in combat (to be fair, most of Europe had settled down a bit to form some degree of stability, at least from one region to another, though there were exceptions like the French Revolution). If boiled down, Chambord is really composed of a central keep and four massive bastion towers, connected by high walls; the rest is elaborate design. Chambord is best visited in conjunction with other Loire Valley Chateaux like the Chateau de Chenanceau for example – try driving from one to the next, or if you’re feeling adventurous, consider biking from chateaux – the castles are close enough together to make this a relatively a feasible task!
The biggest chateau in the Loire Valley, and one of the most distinctive chateaus in the world (thanks to its smooth blend of Medieval and Renaissance styles), the Chateau de Chambord, a UNESCO World Heritage Site, is as absolutely magnificent as it is immense. The chateau (for there is no other word to use; Chambord and its fellow Loire Valley neighbours define the usage of the word ‘chateau’ in English) was built by Francis I as a hunting lodge – a break from his royal residences at Blois and Amboise (each no more than a stone’s throw away by modern distance standards). The castle rooms themselves are relatively simple – large, rectangular, few in number but large in size. The roof, on the other hand, is an intricate network of sculptures, buttresses, statues, odd angles, elevated passageways, elegant windows and pointed towers, all arranged together like a miniature city. But that’s not the most remarkable part of this structure. No, that honour goes to the intricate and astoundingly unique double helix staircase, serving as the centrepiece and central element of the building. Elegantly carrying visitors up three floors, the two entangled staircases curl around each other but never meet, making it an architectural unicorn. There are rumours that a one Leonardo da Vinci (who stayed there for a time) was the creator of the DNA staircase, and this is quite possible, as the inventor was known for his unique and often outlandish projects, though his involvement has not been proven. In any event, the massive and iconic chateau certainly merits its place on Loire Valley itineraries!
So perhaps Milan is not the most beautiful of all the Italian cities. But you know what? It’s certainly one of the nicest. It doesn’t have Rome’s dirtiness, it doesn’t have Venice’s massive influx of tourists or Florence’s intensely long lines, and it has plentiful amenities that all those cute little Italian 2,000-person paradises don’t have. Milan is a decent-sized city that is, unfortunately, rather ignored. It shouldn’t be. Milan is a lovely place. Here, for example, is Sforza Castle, a 15th century fortification built by the Duke of Milan, Francesco Sforza, on the remains of a 14th construction. When Italy was finally unified in the 19th century, it was transferred from military to cultural usage, now housing several of the city’s museums. Artists such as Leonardo da Vinci (who frescoed several rooms along with Bernardio Zenale and Bernadino Butinone) and Bramante, who added frescoes in the Sala del Tesoro, have contributed to Sforza. After obtaining the castle, the city turned its grounds into a park, hence these two bikers. Italians, as do most Europeans, love to get around town on two wheels as opposed to four – perhaps accounting for their overall general state of healthiness!