Gran Madre di Dio Church, Torino, Italy from the Po River, Torino, Italy
Even if you haven’t yet been to Torino (if this is the case, you really should go…), you may have already beheld the Gran Madre di Dio Church if you’ve seen the 1969 classic film, The Italian Job, which tells the story of a high-stakes theft in Torino. Commissioned and built to celebrate King Vittorio Emanuele I’s return to power in 1814 following the defeat of Napoleon, the Gran Madre is a breathtaking purveyor of the briefly-popular Neoclassic style. Though perhaps exaggerated in the film, Torino is sometimes noted as the ‘cradle of Italian liberty’: it was capital of the wealthy House of Savoy (eastern France and Northwestern Italy) since 1563 as well as becoming the finally-unified Italy’s first capital in 1861. Though much of its wealth and importance (both political and economic) dissipated after WWII, Torino rests Italy’s third city – with a GDP of $58 billion, it is ranked the world’s 78th richest city (based on purchasing power)… not too shabby, eh? Not to be forgotten, the impressive neoclassic Gran Madre perched on the banks of the River Po is hardly the only piece of beautiful architecture or style in town – Torino is also home to splendid examples of Renaissance, Baroque, Rococo, Neoclassical, and Art nouveau exemplars. It sports elegant and extraordinary parks, castles, palaces/palazzi, public squares, boulevards, and apartments, many of which were erected in the Golden Age of the 16th, 17th and 18th centuries.Torino is a city drunk on elegance and beauty, a city that is both down-to-earth yet financially capable (that is to say, the city is indeed a wealthy one, in both looks and in vaults), and it is a city that holds true to her long heritage as a place of prestige.
The cherry-red doorway stands out amongst the backdrop of grey stone. Doorways, being a threshold between one place and another, always feel like opportunities that provide endless possibilities regarding what lays on the other side. While a universal object, doors and their thresholds often still somehow manage to stay culturally unique, varying dramatically across Europe (and by extension, across the world as well). Doors in Ireland are often bright, colourful and arresting – see this door in Dublin for example – which reflects the playfulness of the Irish culture. This door opens onto the old Nun’s Island Theatre in west coast city of Galway, just a stone’s throw away from the youthful Galway Cathedral. Built in Neo-classical style, this proud little theatre was once a Presbyterian church in the 19th century. Nun’s Island, the theatre’s location and namesake, gets its name from a group of 30 nuns from the order of Poor Clare who sought shelter on the island during the Ulster Rebellion of 1641. The striking red door and gate is an eye-catching sight on this otherwise low-key street in Galway, one of the most beautiful cities along the western coast of Ireland.
Neoclassicism. What an invention. Back in the mid-18th century, a resurgence of Greek and Roman architecture became a la mode. The opposite of the naturalistic Rococo style, Neoclassicism strove to return to the “purity” of Greek and Roman styles, mirroring their symmetry, geometric design and perspective. The famous Italian architect Andrea Palladio played an instrumental role with the construction of his famous albeit peculiar Villa Capra “La Rotonda,” which he based on Roman temples and other similar designs. One of the most striking creations to come out of this architectural period is the Vilnius Cathedral, circa 1783, located in central Vilnius. One doesn’t normally imagine a Catholic cathedral in the capital city of an Eastern European country to resemble an ancient Roman temple—but there you have it, and there it is – see for yourself. Lithuania is full of surprises!