Possibly one of the most spectacular and amazing places in all of Italy is the medieval pile of stones that is the Sacra of San Michele monastery. Crowning the Mount Pirchiriano in Northern Italy, the Sacra di San Michele seemingly floats in the clouds, fanned by the incredible landscapes of the Val di Susa. Officially named as the Symbolic monument of the Piedmont region, this jaw-dropping abbey was probably consecrated in 966, but little is known about the early years of this amazing building. Tradition says that the Sacra di San Michele was erected by a pious hermit known as St Giovanni Vincenzo on the orders of archangel Michael – supposedly the angel then miraculously transported all of the stones and other materials to the summit of Mt Pirchiriano (though the miracles stopped there – St Giovanni still had to build the abbey!) Apparently the site was chosen for its isolation and difficulty to reach as this was typical of the Cult of St Michael (think France’s Mont Saint Michel!). The Sacra, part of the Benedictine Order, became part of the famous Via Francigena, an ancient pilgrimage route from France to Rome, even extending beyond to Canterbury. In fact, the route is still in use today, and has seen a recent revival and resurgence of pilgrims (though today’s pilgrims are more interested in the history and culture and food found on the trail, and less in the religious aspect of it). The Sacra di San Michele is also famous for inspiring the abbey at the central of Italian novel, The Name of the Rose by Umberto Eco.
Pro tip: Instead of driving, start your adventure at the village of Sant’Ambrogio di Torino, where you can follow an ancient mule track up the mountain. Following the Signs of the Cross, the trail winds around the mountain, in and out of the forest, past tiny hamlets and ancient sites before arriving at the mountain’s summit. The path, about 3.5 km each way, starts behind the old church and continues upwards from there.
Other Beautiful Medieval Religious Sites in Europe
Autumn falls on Italy, alighting this already magical place with more colour than seemingly possible. Sloshing through the beautiful city of Torino (or Turin to you North Americans) in northern Italy, the Po River flows some 682 km (424 miles), starting from a tiny spring in the stony hillside at Pian del Re on the border of France and Italy. When it comes to photography, autumn is one of the most beautiful times to break out the camera, but the area around the Alps and northern Italy in particular is especially stunning. It is also a brilliant time to travel to Europe’s hotspots as the number of tourists (particularly casual tourists) is down, accommodations and flights cost less, and attractions aren’t yet closed for winter – not to mention the dramatic panoramas such as this one! The Po River winds its way through northeastern Italy, a region known for red wine, Roman ruins, ancient castles, dramatic valleys, and delicious cheese. The banks of the Po River in Torino provide scenic sights as well as lovely walk paths – a way to experience nature and the outdoors even when you’re in the city. Here, you’ll feel the wind in your face, smell the leaves in the air, hear the current rushing past fluttering trees, and feel at peace in the alpine Italian city of Torino.
Soft, white snow slowly falls on the red clay rooftops of the sleepy village of Sant’Ambogio di Torino. This simple but picturesque village is snuggled soundly at the foot of Mount Pirchiriano. Crowned with the stone ruins of the legendary Sacra di San Michele monastery, Mt Pirchiriano and its monastery have been made famous by inspiring Umberto Eco’s classic novel, The Name of the Rose. Below the mountain, Sant’Ambrogio di Torino contains its own history and beauty: medieval wonders such as Middle Ages towers, fortified walls, a ruined abbey, a 12th century Romanesque-style bell tower (the tower in the above photo, now integrated to the current church), and the remains of an 11th century church, located above the town in the tiny commune of San Pietro. Sant’Ambrogio di Torino still plays the role it has for centuries: the starting place for the ancient pilgrimage path leading to the mountaintop Sacra di San Michele, as well as housing the relics of St John Vincent, the monastery’s founder. To mark the beginning of the pilgrim’s path weaving through the mystical Val de Susa, is the lovely 18th-century Chiesa Parrocchiale di San Giovanni Vincenzo – today covered in a powdery blanket of snow. Though it may be faster to drive directly from Torino to the top of the mountain – bypassing Sant’Ambrogio village, the Pilgrim’s Path, and the Val de Susa altogether – the effect will be far less impressive or special; you will miss out on a homage to quiet village life, beautiful architecture, ancient tradition and stunning landscapes. Instead, take the train to Sant’Ambrogio from Torino central station, walk the quiet streets to the Chiesa di San Giovanni, and then follow the narrow cobblestone path to the sacred monastery above (roughly 2 hours hike). Exploring the region in the snow provides an added layer of beauty!
Cities by night are highly underrated. The same could be said for cities in the small hours of the morning. Night – and by extension early morning – somehow seem ‘bad’ – the immoral dark hours where indecency and ugliness show their teeth. Nights are cold, dark, empty. At night, ‘good’ people are snuggly asleep in their warm beds because everyone knows that bad things happen at night – mostly because ‘bad’ people come out at night. Or so we’re taught. And in some ways, this is true (crime rates, for example, go infinitely up at night). But the rewards for staying up late or getting out of bed early are worth it. Whether we want to be reminded at how big the galaxies are, we are astronomy geeks, or we simply want to see the world in a new perspective, travelling destinations by night is a unique way to get to know a place. Torino, for example, is an entirely different city by night. The cool, Alpine air whistles through the empty streets, each monument, church or palace strategically lit up. The streets are clear and quiet – quite the change from the Italian hustle and bustle typically filling Torino’s city centre. First, enjoy the quietness of an empty city, then enjoy the stars as they spread across the sky, and finally, the best part: enjoy the dawn painting across the canvas of a new day breaking.
Gran Madre di Dio Church, Torino, Italy from the Po River, Torino, Italy
Even if you haven’t yet been to Torino (if this is the case, you really should go…), you may have already beheld the Gran Madre di Dio Church if you’ve seen the 1969 classic film, The Italian Job, which tells the story of a high-stakes theft in Torino. Commissioned and built to celebrate King Vittorio Emanuele I’s return to power in 1814 following the defeat of Napoleon, the Gran Madre is a breathtaking purveyor of the briefly-popular Neoclassic style. Though perhaps exaggerated in the film, Torino is sometimes noted as the ‘cradle of Italian liberty’: it was capital of the wealthy House of Savoy (eastern France and Northwestern Italy) since 1563 as well as becoming the finally-unified Italy’s first capital in 1861. Though much of its wealth and importance (both political and economic) dissipated after WWII, Torino rests Italy’s third city – with a GDP of $58 billion, it is ranked the world’s 78th richest city (based on purchasing power)… not too shabby, eh? Not to be forgotten, the impressive neoclassic Gran Madre perched on the banks of the River Po is hardly the only piece of beautiful architecture or style in town – Torino is also home to splendid examples of Renaissance, Baroque, Rococo, Neoclassical, and Art nouveau exemplars. It sports elegant and extraordinary parks, castles, palaces/palazzi, public squares, boulevards, and apartments, many of which were erected in the Golden Age of the 16th, 17th and 18th centuries.Torino is a city drunk on elegance and beauty, a city that is both down-to-earth yet financially capable (that is to say, the city is indeed a wealthy one, in both looks and in vaults), and it is a city that holds true to her long heritage as a place of prestige.
Known for once hosting the Olympics, and probably more importantly, for hosting the infamous Shroud of Turin, Torino is still often overlooked. Far from the hills of Tuscany, the ruins of Rome and the canals of Venice, Torino does not fit into the typical Italian mold. And yet—Torino can hold its own. It is a superbly beautiful and elegant city. The banks of the Po River (here) are charming. The streets are grand, everything is clean. Because of its location in northern Italy and on the doorstep of the Alps, even the air feels cleaner. The city has a pulse; it doesn’t take much to hear its beating heart. If you continue across the river, you reach the Chiesa della Gran Madre di Dio which rather looks like the Pantheon, and just past that, a hill that leads to a monastery. From there, you can see the whole of Torino, and, just beyond, the Alps. Torino may be a big city, but it is also a mountain city. The simplicity and tranquility often associated with Alpine towns can be found here, in one of Italy’s largest cities!
Torino, like much of Northern Italy, often gets ignored. When potential tourists hear the word, “Italy,” they think of rural Tuscany, the bustling centre of Rome, or the artsy Florence. Italy equals Mediterranean ocean views, Roman temples and gelato by the beach, right? Not necessarily. And Northern Italy…well, it’s spectacular. Nothing at all like the south, Northern Italy is a bit of a combination of Italy, France, and Switzerland. Torino (which you may know as “Turin”) is certainly one of Europe’s best-kept secrets. The eclectic architecture, genuinely happy (and multilingual!) people, elegant streets, delicious cheeses as well as amazing pizzas and wines make Torino a city full of surprises. But if you really want a treat, take the time to hike up the hill, Monte dei Cappuccini, to see the whole of Torino spill out below you. On a magnificent backdrop of the towering Alps, the glittering Po River and the beautiful red roofs with white walls, the enormous spire if the Mole Antonelliana rises up to the sky, as if reaching for the heavens. Originally built as a synagogue in the late 1800’s, the building (which now houses a cinema museum) sports the highest work of masonry in all of Europe. Take your time–this view is worth it!
Contrast, at its base, is a comparison between two contrasting items in order to highlight their differences. Classic examples include the contrast between light and dark, black and white, hot and cold, up and down, big and small, tall and short, happy and sad, ancient and modern, science and religion. The simple perpendicular lines of the cross populate our world in so many ways. Here, we see two types of crosses found throughout in the world today: one representing the “old” way of thinking, ie religion and faith–and the other representing the “new” way of thought ie modern science and technology. Yet–do they have to be at contrast with each other, or can they complement each other? As Dan Brown says, “Faith is universal ; our specific methods for understanding it are arbitrary. Some of us pray to Jesus, some us go to Mecca, some of us study subatomic particles. In the end we are all just searching for truth that which is greater than ourselves.” And on this quiet mountain path in this quiet Italian village, everything seems to come together perfectly !
You can’t usually see the original Holy Shroud, as the Church only occasionally brings the famous artefact out for public viewing (the last time being in 2010). However, you can visit the museum to learn a lot about it, later viewing a life-size reproduction displayed in a chapel. The Holy Shroud is an ancient relic passed down through generations and closely guarded, as many believe it is the shroud that once wrapped Jesus’ body after death. And if you study the cloth, it’s true that the wounds evident on the shroud do correspond with the wounds dictated in the Bible (blood stains on the man’s feet from a nail hole as well as on the wrists – interestingly not the hands; this has to do with a lack of difference between ‘hand’ and ‘wrist’ in ancient Greek. The man also has a postmortem cut on his side, his back is injured as result of a whipping and multiple puncture wounds appear on the forehead as well as signs of a beating). However, according to carbon dating, the Shroud is at best 1,000 years old – bringing up the question of how accurate carbon dating is (if contaminated by chemicals, linens especially can be affected). Here, lit from below, is a Polish artist’s rendition of the moment that Christ comes back to life, gasping for air after lying dead and buried for days. Whether or not you believe in God, whether or not you think that by staring at the Shroud you are literally staring into the eyes of Jesus, you have to admit that the idea that it could be him is powerful and arresting – and enough to make your spine tingle. “And let there be light,” you whisper as you eventually tear your eyes away from the powerful figure who may or may not be Jesus Christ.