Temperate Glasshouse in Kew Gardens, London, England
The Kew Royal Botanic Gardens are some of the finest botanical gardens in the world. Spread over 121 hectares (300 acres), wander amongst some 50,000 plants found across this UNESCO World Heritage site outside London. The jewel of Kew Gardens is the beautiful Temperate House. This Victorian-era glasshouse – opened 1862 – was built to be the stunning entrance to the royal gardens when the rail line was complete. Things didn’t go to plan, and the railway station was moved to the other end of the park. The building itself is quite marvellous, containing thousands of panes of glasses (replaced after more than 100 WWII-era bombs rocked Kew), while the thousands of plants within this iron and glass dome are even more so. The Victorians had an intense curiosity. Those who could afford to went on adventures to all corners of the Earth in search of the new and exotic to bring back to mother England – or more likely, sponsored an explorer to go off in their name. Those who couldn’t afford the adventures themselves would instead satisfy their curiosity by going to palm houses, world fairs, circuses, museums, curiosity cabinets, exhibits, wax halls, and other such places. Housing 1,500 plants from 5 continents and 16 islands, the Temperate House covers plants within the temperate zone (where most of the world population lives, the temperate zone is sandwiched between the polar and tropics – including North America, Europe, China, Australia, southern Africa, and parts of South America). While at the Temperate House, wander the narrow alleys between plants before climbing up to the viewing platform for an aerial panorama of the ecosystems below and the wrought and cast iron structure above. Whether or not you have an interest in biology and ecosystems, Kew Gardens and its glasshouses are a fascinating place – both pulling you into the past with its Victorian glasshouses as well as looking towards the future at the effects humans have on the planet, and working to conserve and protect the Earth’s flora.
Pro tip: Visit the Palm House while you’re at Kew Gardens. When you’re in Belfast, be sure to visit the Palm House in Belfast’s Botanical Gardens and in Dublin visit the National Botanic Gardens – all four glasshouses are designed by Victorian-era architect Richard Turner. Also while in Kew, be sure to check out the beautiful glass art by artist Dale Chihuly.
Despite its unfortunate name, Cockburn Street is a lovely wee street that leads from Waverley Train Station in the New Town up into Edinburgh‘s spectacular Old Town. Much of the Old Town still follows its medieval street plan, comprised of a network of cobbled streets, narrow closes and wide avenues. Edinburgh’s Old Town is full of grander, glitz and history. Wander up to Royal Mile (High Street), marvel at the cathedrals, churches and museums, walk along grand buildings, watch street performers, duck into lively pubs and cosy cafes, before finally arriving at Edinburgh Castle, an idyllic fortification that perches on a huge crag formed by a now-extinct volcano. Alongside Edinburgh’s New Town (built in the 18th-19th century), Edinburgh’s city centre is part of a UNESCO World Heritage Site, and is the most significant cultural hub of Scotland. Because of limited space and advantage of living within the defensive wall (now gone), the Old Town became home to some of the world’s earliest “high rise” buildings as early as the 16th century. Though boasting certain advantages, the tightly-packed atmosphere was vulnerable to flames, and the Old Town is marked by the Great Fire of Edinburgh of 1824, which obliterated huge portions of buildings on the south side, and their rebuilding in Victorian times led to the accidental creation of numerous passages and vaults under the Old Town. Another blight on Edinburgh was the 20th century slum clearances, when the rundown, overpopulated slums of Canongate were cleared out in the 1950s to make room for grander buildings. Despite these darker elements of Edinburgh’s past, the Edinburgh of today is a busy, lively and fun place to be.
Pro tip: Looking for a wool or tweed souvenir? Avoid the shops on High Street as unfortunately a lot of that is made in China these days. You can’t go wrong with traditional Harris Tweed, made solely on the Isle of Harris in the Outer Hebrides and with each weaver certified to the brand’s high standards.
Cliff Baths ruins of Enniscrone in Co Sligo, Ireland
The west coast of Ireland is a magical place. Timeless and unspoilt, the west coast has managed to keep an aura of otherworldliness. Full of historical and natural wonders, County Sligo is a little-travelled place of fantastic hiking, breathtaking coasts, ancient Neolithic monuments and crumbling abbeys. Enniscrone is a little seaside village where waves crash against rocky headlands and wind sweeps over sand dunes, paired with 5km of beach strand perfect for bathing – if you’re willing to risk Atlantic temperatures! Rising out of the edge of the sea on the foot of Enniscrone are the ruins of the Victorian era Enniscrone Cliff Baths, a strange sort of castellated little building. The Cliff Baths were built in 1850 by a wealthy local family, the Ormes, who owned large tracts of land in Sligo and Mayo. The Ormes, wanting to turn Enniscrone into a fashionable beach resort town, built the lodge and the baths to attract the fashionable crowd. They even built a man-made tidal pool in front of the Cliff Baths in order to ensure that all baths would be supplied with fresh seawater no matter the tides (today its a popular spot with local kids). Little remains of this once-luxurious resort bath, and it has been allowed to fall into disrepair, helped along by the the crash of the tide, the gusts over the Atlantic, and the salty seawater in the air. Today it is simply an idyllic place to take dramatic photography!
Pro tip: Book a seaweed bath at the more modern bathhouse, Killcullen Seaweed Baths, or head north along the coasts to Voya Baths in Strandhill.
Perhaps one of the strangest museums you’ll ever visit but certainly a hidden gem found in an otherwise genteel and academic Oxford, the Pitt Rivers Museum is like a peek behind the curtain at the chaotic underbelly of Victorian England. Though today we may look back at the Victorians and their self-important and slightly condescending world views with disdain, it was a time when people were simply curious about the world, when they wanted to be awed and amazed, a Europe full of people fascinated to learn everything – and the stranger the better. The Victorian era was a time of intense curiosity, knowledge and discovery of the outside world. Bizarre but wondrous technological inventions, exotic flora and fauna, items and traditions from far-flung cultures – it was all new and fascinating. This is the era of the Crystal Palace of London, the Palm Houses of Kew Gardens, Belfast and more, the Eiffel Tower of Paris, the time of the World Fairs and world expositions, of steam engines and curiosity museums. Amidst all this was born the Pitt Rivers Museum. Founded in 1884 by Augustus Pitt Rivers, a former soldier, anthropologist, ethnologist, and archaeologist, the Pitt Rivers Museum is today part of the renowned University of Oxford. With a collection arranged by use instead of by age or location found, the Pitt Rivers Museum is home to over 500,000 objects (though Augustus’s original collection started off with 22,000), with the largest being a 11-metre-high Haida totem pole. The museum was set up this way in order to show the Victorian (and now modern) viewer of humanity’s upwards progression in design, technology and skill, as well as the fascinating evolution of culture and tradition of exotic communities, starting with the most simple societies all the way up to the complex. The museum is a place full of wonders and a perfect viewpoint not only of the cultures on display, but also of the culture that set it up.
Pro tip: Find the Pitt Rivers Museum to the east of Oxford University Museum of Natural History, where you’ll locate the only accessed point. Afterwards, head down the narrow cobbled alley to Turf Tavern, a 13th century tavern, fabled to be the most difficult pub in Oxford and long popular as a place for students to exchange ideas.
Amidst Brexit shenanigans, London remains both irrevocably changed as well as the same wonderful place it has always been. One thing that London does so well – and so much better than any other city in Europe – is perfectly blend the old and the new. No where else can the Globe, the Tate Modern, the Millennium Bridge and St Paul’s Cathedral sit together in perfect harmony on two sides of the mighty Thames River and seem to complement each other so perfectly. Here London is up to its old tricks again. Stroll through the ultra modern architecture of City Hall and the London Riverside to admire the light and airy glass and steel manipulated into curvy and wavy lines – which contrasts steadily with the Victorian-era and icon of English historical landmarks, London’s Tower Bridge. Built in the 1890s, this dual-functioning bridge allows pedestrians and vehicle to cross while also working as a drawbridge for passing ships and barges on the Thames. London may be a massive city but the best way to explore its nooks and crannies is by picking a direction and starting to walk – no matter how many times you visit, you never know what gem you may happen to find!
Pro tip: The Tower Bridge (not to be confused with London Bridge) is free to walk across but there is a fee of £9.80 to enter the towers (open 9.30 – 17.30) – once engine rooms and now exhibitions.
Twisted Tombs in Highgate Cemetery, London, England
One of the creepiest places in London, Highgate Cemetery is old and dark, overflowing with cracked, crooked tombstones grinning like jagged teeth and fanned with thick overgrown grass. Scattered amongst the stones are statues and stone caskets marking out the wealthier dead – even in death, social classes are made apparent. West Highgate is older, full of cracked tombstones hidden under heavy trees and dark bushes, while East Highgate (across the road) is newer, orderly, and home to the famous Karl Marx tomb (an enormous stone bust). In the overgrown Victorian West Cemetery, vicious vines grasp forgotten tombs, determined to pull their sepulchres underground, their owners’ names sanded away by centuries’ worth of wind. Highgate Cemetery was born in 1839 alongside seven other cemeteries, built to release the pressure of overcrowded intercity (and sometimes illegal) cemeteries. The dark Victorian path twists through overgrown rows of grey stones and wailing angels, leading to the obelisks of Egyptian Avenue (Victorian interest in Egypt had been piqued by Napoleon). Following that is the Circle of Lebanon, crowned with a massive ancient cedar tree older than the cemetery itself, circled by tombs seemingly revering it. Finally, the brave visitor will pass through dark, vaulted catacombs where warmth and light seem devoid. It is said that this creepy endroit inspired Bram Stoker while writing Dracula (particularly the scene at the graveyard with the undead new vampire Lucy Westenra). While this is not proven (experts suggest the mythical graveyard might’ve been St Mary’s Churchyard), there is certainly no denying the eeriness of this fiercely Victorian Gothic graveyard in north London. Get ready for goosebumps while wandering this dark and wild place where the din of London and the 21st century seem leagues away.
Pro tip: The more modern east section can be visited by all, but the most overgrown and Victorian west side is by guided tour only. It’s well worth it!