Alongside the amazing Puente Nuevo on the cliffs of Ronda, the Arab Baths are among Ronda‘s most impressive and fascinating sights. At first glance, they seem a look a lot like Roman baths – and indeed the builders were inspired by the design long perfected by the ingenious Roman architects. The main difference here is that instead of hot water heated from below, the baths the Moors built used steam sweat out pollutants from the body. The Arab Baths of Ronda were built by the Moors, a conquering culture on the Iberian Peninsula that originated in North Africa, changing the architectural and cultural landscape of modern-day Spain and Portugal. For the Moors, the baths were built for sanitary reasons but also as for religious ‘purification’ purposes. At one time, Ronda used to be full of Moorish (or Mudejar) architecture, from mosques to Medinas to fortified walls and bridges, though little remains now. Today, Ronda is a wonderful town right in the heart of Andalucia, a perfect base for exploring all of those picturesque pueblos blancos.
Pro tip: Visiting the Baths at night adds as extra atmospheric element and sets the scene for some lovely photos. Also – it will be cooler and there are far less tourists about! These days, the Arab Baths are open until 19h00 on weekdays (closing at 15h on weekends) and cost €3 to enter. Sometimes they are open later.
Ireland is one of the richest destinations when it comes to Neolithic heritage, in particular, Neolithic era tombs. Here in Ireland, we still have thousands of them. Capping most hills and mountains is some kind of cairn, usually small and inconspicuous. Two regions are particularly concentrated: Sligo and Meath (though interestingly, Celtic Neolithic societies stretched all the way to Scotland, Wales,Bretagne, and Galicia). The biggest of the Neolithic tombs is found in Meath. UNESCO site Newgrange is one of Ireland’s wonders. Built around 3,200BC according to archeologists, the Newgrange monument is an enormous mound/ cairn that encloses a single, 19-metre-long passage tomb ending in 3 burial chambers where cremated remains were once placed. Inside, the passage is narrow but visitors are still able to walk (unlike the tombs at Carrowkeel where you have to crawl…). Walls are adorned with spirals and other basic forms of megalithic rock art, and the tomb’s roof uses corbelling, an ancient drystone technique that makes the tomb waterproof without even requiring mortar! Even with the thousands of tombs they’ve left behind, we know very little about the ancient Celtic Neolithic people of Ireland. One thing that is evident is that astronomy was very important to them. In fact, Neolithic people had a good understanding of sun, moon, and stars including solstices and equinoxes. Newgrange is aligned with the Winter Solstice, therefore for 6 days in mid December, the sun shines through the “roofbox” (that narrow slit above the door of the tomb) to the lighten the chamber with sunlight. Amazing!
Pro tip: If you want to visit for the Winter Solstice, you can enter the lottery (with about 30,000 other applicants for 100 available places!) Or head to one of the other Neolithic sites for similar alignments. For Newgrange, in general we recommend booking in advance, and going early in the day. However, Newgrange Visitor Centre will be closed for most of 2019 so while works are going on, you can’t book in advance, but to compensate, tickets are free and first-come basis during the works. Best to visit in the off season or early, around 9 am. Nearby site of Dowth is also amazing – you can’t get inside anymore, but you’ll have it all to yourself. Or head to the Hill of Tara.
Though the most famous gargoyles are on Notre Dame de Paris (thanks, Victor Hugo and Disney), one finds gargoyles on most French cathedrals, and Dijon’sNotre Dame Church is no different. This unusual, square-faced cathedral, commenced in 1230, is a medieval masterpiece. In fact, it contains no less than 51 gargoyles (nearly all mere decorations). Though Notre Dame de Dijon dates back to the Middle Ages, the gargoyles were only carved in the 1880s (around Hugo’s time…). The original facade had many such gargoyles of monsters and men, but local legend states they were all (but one) removed by the friends of a usurer (money lender), who was killed by a falling stone gargoyle on his wedding day. Gargoyles have long held both the fascination and horror of their audiences. While the original purpose was simply to drain water away from a wall, they quickly evolved into displaying grotesque and fantastical designs. The term itself comes from an French word “gargouille,” meaning “throat” (think “gullet”). The idea of the gargoyle is said to have came from an ancient French legend from Rouen, in which St Romanus conquered a terrible winged dragon called La Gargouille who was both long-necked and fire-breathing. Upon slaying it, the city burned La Gargouille’s body but its fireproof head and neck would not burn, so they mounted it on the church walls to ward off the evil spirits (though you’d think that’d ward off good spirits too!). Thus, the idea and name were adapted for fanciful drains sprouting from France’s soaring cathedrals, and Dijon’s gargoyles don’t disappoint: all 51 are fascinatingly fantastic, bizarre, eye-catching and grotesque.
Pro tip: The church also contains a small statue of an owl, now the symbol of the city, and said to have magical powers. Find it on the left side of the cathedral and touch it with your left hand to make a wish come true! Also, follow the owl symbols on the ground to discover Dijon’s historical heritage sites.
The Etruscans were an ancient civilisation in central Italy from the 7th century BC until the Romans conquered the powerful civilisation, assimilating it into their ever-growing Roman Empire at the end the 4th century BC. Even today, the Etruscan influence cannot be denied; Eturia’s ancient heartland even lent it’s name to the modern region of Tuscany. In its heyday, Etruria reached as far north as the Po River valley, past Rome along the coast to modern-day Naples (in the Campania region). A merchant community, the Etruscans grew rich and powerful on trade with the northern Celtic communities as well as the ancient Greeks, who influenced much of their culture. Etruscans had a vivid pantheon of gods and used their wealth to fill their tombs – which is where much of our understanding of their culture, history, art and architecture comes from. The village of Fiesole, some 10km from Florence, is both a tranquil escape from the bustle of Florence as well as a time capsule to the ancient Etruscans and Romans. Here, find crumbling Etruscan walls, what remains of the Roman baths built later on, and a Roman amphitheater still used today for summer events. Nearby, there’s even the green hilltop where Leonardo da Vinci once experimented with flight! Once a powerful rival to Florence, Fiesole was founded as an Etruscan town in the 8th century BC until the Romans finally conquered and destroyed it, building their own Roman town on Fiesole’s roots. In the 1500s during the magnificent Italian renaissance, Florentine nobles moved out of Florence and built their splendid villas much like movie stars do today in glamorous SoCal towns. Fiesole’s beauty also inspired writers and artists such as Oscar Wilde and EM Forster, making cameos in their work.
Pro tip: Take bus #7 from San Marco Piazza to Fiesole. Or, splurge on the hop-on-hop-off bus to see even more of Florence and its region.
The Roman city of Nîmes has been a splendid city in the south of France for thousands of years. Known for its chic boutiques, terrific Roman ruins (including the amazing Roman Arena), and mild Mediterranean climate, Nîmes has long been regarded as one of France’s most beautiful cities – and best-kept secrets of France’s Languedoc-Roussillon/Midi-Pyrenees region. But not all of Nîmes is ancient. The Romans built a spring (the Spring of Nemo) and decorated it with a temple (now gone). But in the 1700s, the growing city needed a better source of safe drinking water, and therefore opted to construct a network of canals. Ulterior motives included powering Nîmes’ mills to sustain its’ top-ranking position in the textile industry as well as the indigo dying industry for a new product, serge de Nîmes, better known today as denim (from the French, ‘de’ or ‘from’ Nîmes; indeed, thank Nîmes for your jeans!). The project became a grand affair, and included a beautiful park laced with ornate statues, exotic gardens, and of course, the wide, boulevardesque canals. They were the first gardens in France created for the benefit of the public, not royalty. Today’s visitors to Nîmes who wander the park and the canals will still feel the glamour and elegance that exudes off these complex and orate 18th century creations, so important to the Nîmois.
Pro tip: Not far above the canals is the wonderful Jardin de al Fontaine topped with the Tour de Magne. Visit the region for a place for a lovely stroll through lush gardens and delightful sculptures and panoramic views.